By local experts at Discover Moab
My favorite place in the world is just a few minutes outside of downtown Moab, Utah. I turn off Main Street at Kane Creek Boulevard, a street that winds past the movie theater and through a few small neighborhoods before it lands next to the Colorado River. The road leads to campsites, canyons, hiking trails, biking trails, petroglyphs, off-road routes, climbing crags – Kane Creek Boulevard is one of Moab’s hidden gems, and it’d be easy to spend days here, especially if you snag a camping spot. It’s well-worth adding a day to your Moab trip just to explore this unique zone.
Something to keep in mind with activities down Kane Creek: there is very spotty cell service in this area! Download your maps beforehand and consider bringing a satellite communications device.
And another note: many of the trails get very hot in the summer – there isn’t a ton of shade out here – so be ready for the weather and bring snacks and water with you.
Places to camp along Kane Creek: Kings Bottom, Moonflower Canyon, Hunter Canyon/Spring Canyon, The Ledge
Things to do along Kane Creek Boulevard – choose your own adventure style
Hike or off-road the Moab Rim Trail
Keep an eye out for a trailhead shortly after the road turns left and starts following the Colorado River. This is the Moab Rim Trail, a hiking and off-roading route that offers stunning views of the Colorado River and the town of Moab. It’s one mile to reach the stop, but it’s a steep mile – the hiking route is called
“The Escalator” for a reason. Watch for local Moabites who run it.
Explore Moonflower Canyon
Just after Kings Bottom campground is Moonflower Canyon, which provides a shaded and cool walk through a beautiful, tree-lined canyon. This canyon floods during monsoon season in late summer: when you make it to the end, peer up at the canyon walls and you’ll get an idea of how large the cascade of water falls down into the canyon.
Before leaving the parking lot, head over to the right side (as you’re looking at the canyon) to spot your first petroglyphs of the day. Here’s
what to know about petroglyphs before you go.
Hike or off-road at Pritchett Canyon
Pritchett Canyon provides another thrilling off-road or hiking experience. It’s the hardest off-road trail in Moab, so you may prefer to hike it–hiking three miles (six out and back) will get you near a number of arches and bridges formed in the rocks. The start of the canyon passes through private land, so you have to pay a small fee. These trails are a bit harder to follow, so make sure you do your
research beforehand.
Explore Jackson’s Trail
Park at a large parking lot just past Pritchett Canyon for access to Jackson’s Trail. This is a bike-accessible trail as well, but mountain bikers will be coming down the trail, so keep an eye out for them as you explore. The
trail follows the Colorado River for a mile or so, then switchbacks its way up to the top of a mesa, where it’ll connect to a few other trails. Stop here to take in views of the river, or continue on to the Rockstacker trail to find Pothole Arch. Beware of getting lost, and of a short icy stretch in the winter.
Bike, hike, climb, off-road, and watch basejumpers at the Amasa Back/Captain Ahab/Hymasa trailhead
Pull off at the Amasa Back/Captain Ahab/Hymasa trailhead on a nice, not-windy day and you’ll likely be able to spot basejumpers leaping from Tombstone Rock across the road. This trailhead is a hub of activity: It leads to a world-class mountain biking trail system and a popular off-road route. The most popular mountain biking trail accessible here is
HyMasa/Captain Ahab: if you’re an expert-level mountain biker, this trail is not to be missed. Thousands of bikers come to this area each year to experience it! If you’re not on a bike, this trail makes for a lovely hike or trail run as well. You’ll likely pass by off-roaders testing their skills along the Cliffhanger road.
Rock climbers can also spend a few hours enjoying the
Abraxas Wall, accessible from this trailhead, which has 10 trad climbs ranging from 5.10 to 5.11d.
This is a good spot for a picnic lunch!
Peer into the past at the Birthing Scene petroglyph
One of the most captivating petroglyphs in Moab (in this writer’s opinion) is the birthing scene petroglyph, which was carved onto a large boulder. The petroglyph shows, as you can guess, a birthing scene: there are two humanoid figures depicted, along with depictions of feet and animals. It’s a beautiful glimpse into the past and the lives of the people who first lived in this area.
Remember: do not touch the petroglyphs! We want to
preserve these rocks as long as we can. Scratching on rocks causes irreparable damage and is illegal.
Scramble up to Funnel Arch (only if you have route-finding skills)
Continuing past the Birthing Scene petroglyph, you’ll find a small pull-off on the road to the left. This is the small trailhead to the Funnel Arch trail, a short and fun trail that leads to an impressive arch. This trail requires significant route-finding skills – the trail dips in and out of sight – and there’s a challenging rock climbing scramble right at the start.
Rock climb at the Ice Cream Parlor climbing wall
The
Ice Cream Parlor climbing wall offers 45 sport and trad climbs from beginner 5.7 routes to a few challenging 5.12 PG13s. It’s south facing, so if you plan to climb, get here early to avoid the scorching sun – or visit during a sunny winter day, when the warm rock provides balmy respite from cold temperatures. This wall truly provides something for everyone, no matter what skill level climber you are.
Continue on to watch the canyon open up into a wide desert landscape – and find a few more camping options
The Ledge campsites are further down the road. Past here, the road turns into a 4×4 road – off-roaders will enjoy going through Hurrah Pass and along Lockhart Basin road as part of the
Chicken Corners route.
Charlie Glass atop a horse. [Moab Museum Collection]
Throughout Black History Month in 2023, the Moab Museum dug into its collection to highlight stories of prominent Black individuals and groups throughout the history of the Moab Valley. In this column, Charlie Glass takes center stage: a Black local Moab cowboy who worked at the Turner, Osborn, and Cunningham ranches. This cowboy was known for his grit and ingenuity, qualities admired during his time pushing cattle from Moab to Thompson Springs.
Glass was known for his fierce loyalty to ranch bosses, but his reputation was really made in 1921 during the Sheep Wars era, a time of conflict between sheepherders and cowboys. Glass found himself in an altercation with Basque sheepherder named Felix Jesui whose flock was encroaching on Oscar L. Turner’s property. Glass fatally shot Jesui and claimed self-defense. Glass’s bail was set at $10,000 (the equivalent of $157,000 today) which his boss, Turner, paid immediately and without question.
Cowboys drive Scorup-Somerville cattle. [Moab Museum Collection]
After a well-attended court hearing, Glass was acquitted and continued to work on the Turner Ranch for another 16 years. In 1937, Glass was playing poker with the cousins of the man he’d shot years before. After what local lore calls an amiable game, the group parted ways. But later that evening, Glass was found dead in the back of the men’s pick-up truck—reportedly, Glass’s neck was broken. The cousins claimed no foul play, but the truth of the night remains a mystery to this day.
Glass was buried in the Turner family plot, at a time when African-Americans were barred from being buried in the Fruita, Colorado, cemetery. Stop by the Moab Museum to view Pete Plastow’s portrait of Charlie Glass, mid altercation with Felix Jesui, who proved to be the ultimate end of the this local Black cowboy. .
The Moab Museum website has a
larger profile on Charlie Glass and a recording of “The Ballad of Charlie Glass,” performed by Sand Sheff in 2019 at KZMU Studios. The song was written and composed by William Leslie Clarke, courtesy of Three Rivers University Press.
The Moab Museum is dedicated to sharing stories of the natural and human history of the Moab area. To explore more of Moab’s stories and artifacts and find out about upcoming programs, visit MoabMuseum.org
Courtesy of the Moab Museum
The Moab Museum will be temporarily closing its doors from December 23, 2024, through February 10, 2025, as we prepare for the exciting installation of our newest exhibition,
U92: Moab’s Uranium Legacy. During this time, Museum staff and volunteers will be hard at work creating an immersive and educational experience that delves into the history and legacy of uranium mining in the Moab area.
While the Museum will be closed to visitors, we will host periodic volunteer days for those interested in supporting this important installation process. Community members are encouraged to get involved and be part of bringing
U92: Moab’s Uranium Legacy to life.
Mark your calendars for February 15, 2025, when the Museum will reopen with an all-day celebration of the new exhibition. Join us to explore the stories of miners, mill operators, entrepreneurs, and others who shaped Moab’s uranium boom and its lasting impact. Stay tuned for more details as we approach this exciting opening!
For updates and volunteer opportunities, visit www.moabmuseum.org or contact us at info@moabmuseum.org.
Gordon Fowler’s snowshoes [Moab Museum Collection]
Summertime visitors to the Moab Museum may have difficulty understanding why there’s a pair of snowshoes on display in the Museum’s gallery. While the desert, of course, isn’t well-known for its snow, locals know that the La Sal Mountains outside of Moab can get quite snowy indeed.
Today, Moabites enjoy recreating in the mountains in the wintertime on sleds, skis, or snowmobiles. In the past, the remote community of Miner’s Basin high in the La Sals was the site of a seasonal mining operation, with some hardy souls overwintering in the snowy basin. In Miner’s Basin’s heyday, it boasted a store, a post office, and lodging for over a hundred optimistic miners.
Gordon Fowler, whose initials are found on the wood of these snowshoes, used these snowshoes to prospect in Miner’s Basin in the La Sals many decades after most others gave up hope of mining riches in the area. Made with a sturdy hardwood frame with rawhide lacing, the snowshoes allowed the wearer to travel over powdery snow without sinking knee-deep. The snowshoes were acquired by the Museum from the estate of Bill Conners, who grubstaked Fowler’s endeavor.
The Moab Museum is dedicated to sharing stories of the natural and human history of the Moab area. To explore more of Moab’s stories and artifacts, find out about upcoming programs, and become a Member, visit www.moabmuseum.org.
Newspaper Rock [Moab Museum Collection, Elaine Peterson Collection]
This is canyon country, a landscape defined by the forces of nature that have carved their way through the red sandstone for millions of years and still continue to perform their work. The human history of this landscape carries a similar throughline: Rock inscriptions carved on canyon walls over thousands of years lend whispers of the history of the people who came before.
Petroglyphs and pictographs across the region preserve thousands of years of human history, spanning many cultures over time. There is much to be learned from these marks pecked or painted onto canyon walls, and they remain important sites for Native communities today.
What is the difference between petroglyphs and pictographs?
Petroglyphs—which are generally more abundant in this area—are images created by carving, engraving, or scratching upon the surface of the rock. Pictographs are painted, consisting of pigment applied to the surface of the stone. While certain panels may have originally been a combination of petroglyphs and pictographs, the windswept sandstone now primarily reveals petroglyphs.
Located downriver from Moab, this rock carving is thought by some to resemble a mastodon, leading some to believe that it was created by people living in the Moab Valley during the late Ice Age. Others interpret the panel as a bear with a fish in its mouth. [Moab Museum Collection, Elaine Peterson Collection]
What is known about petroglyphs and pictographs?
There are numerous ways to interpret meaning, and inevitably, much of it remains a mystery to visitors today. Native groups with Ancestral ties to the region can offer perspective and interpret meaning from rock writings left many generations ago. Archaeologists also offer a set of ways to interpret these sites.
In the summer of 2021, the Moab Museum presented a temporary exhibition called “Stories on Stone: Interpreting & Protecting Moab’s Rock Imagery” in collaboration with Utah Humanities. The exhibit showcased perspectives about four prominent Moab-area petroglyph panels from Hopi guide and interpreter Bertram Tsavadawa and archeologist Don Montoya.
“There’s always variations of understanding of how sites will be utilized by the Ancestors,” Tsavadawa explained in the exhibit, adding “as a Hopi person, coming from northeastern Arizona to visit and see these sites here, it is reconnecting.”
In a video made with the Museum and the Utah Humanities Council’s Humanities in the Wild initiative, Tsavadawa drew connections between petroglyphs of wavy lines at Moonflower Canyon to the abundant water nearby.
“Water sustains life. Wherever there’s water, you’ll find maybe an Ancestral site, occupation location, or where they were visiting or making their pilgrimages to conduct ceremony, or connect back to nature,” Tsavadawa explained.
Archeologists also offer ways of understanding these traces of the past. A variety of scientific dating methods, including carbon dating, may determine the ages of pictograph pigments. In the absence of pigment, archaeologists can use optically-stimulated luminescence, which tells how long quartz sediments have been exposed to light. Archeologists also recognize distinctive aesthetic styles associated with different periods, such as the Barrier Canyon Style, which allows them to determine the spatiotemporal extent of cultural groups.
Rock imagery sites remind us that history exists beyond the bounds of a museum collection space. Stewardship of sites remains an ongoing topic of community conversation. In April 2021, Birthing Rock, a prominent rock imagery site along Kane Creek Road, was vandalized, inciting community outrage. The vandalism was the second publicized instance in 2021 of petroglyphs in Moab being damaged, the first being a rock climber bolting a route near a 1,000-year-old petroglyph panel near Arches National Park.
The pictographs at the mouth of Courthouse Wash as it enters the Colorado River represent the Barrier Canyon style, also found at Sego canyon near Thompson Springs. This image was taken before the panel was defaced in 1980. Following the vandalism, the National Park Service cleaned the panel, and restoration work revealed older pictographs beneath the white shields. [Moab Museum Collection, Elaine Peterson Collection]
Why does it matter to protect rock imagery and Ancestral sites?
In the words of the Bears Ears Intertribal Coalition: “To the untrained eye, these archaeological features can sometimes be hard to recognize, but their importance to science, as well as tribal descendants, is immense…More than just a library of human history, this place remains vital to tribal communities across the Colorado Plateau as a place of subsistence, spirituality, healing, and contemplation.”
When visiting these sites, make sure to observe proper visitation etiquette to preserve this history and pay respect to the enduring connections these places provide for Native communities today. These tips, from the Museums of Western Colorado, provide guidance to visitors today:
– Visit rock art sites with respect. Many cultures today see rock art as being just as sacred as it was when it was created.
– Do not touch images. The oils on your hands cause damage that cannot be fixed.
– Take only pictures. Paper rubbing and latex molds cause irreversible damage.
– Respect private property rights.
– Leave archaeological clues found near rock art panels in place. Artifacts such as projectiles can help archaeologists better understand and date the age of panels.
– Report any vandalism to a local land agency such as the Bureau of Land Management, Forest Service, and Park Service.
The Moab Museum is dedicated to sharing stories of the natural and human history of the Moab area. To explore more of Moab’s stories and artifacts, find out about upcoming programs, and become a Member, visit MoabMuseum.org
The view of the Colorado River from the Moab Rim Trail.
