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Charlie Glass, a local Moab cowboy, sitting on a horse: the photo is in black and white and is clearly older, as it's blurred. Charlie Glass atop a horse. [Moab Museum Collection]

By the Moab Museum, originally published in the Moab Sun News


Throughout Black History Month in 2023, the Moab Museum dug into its collection to highlight stories of prominent Black individuals and groups throughout the history of the Moab Valley. In this column, Charlie Glass takes center stage: a Black local Moab cowboy who worked at the Turner, Osborn, and Cunningham ranches. This cowboy was known for his grit and ingenuity, qualities admired during his time pushing cattle from Moab to Thompson Springs.

Glass was known for his fierce loyalty to ranch bosses, but his reputation was really made in 1921 during the Sheep Wars era, a time of conflict between sheepherders and cowboys. Glass found himself in an altercation with Basque sheepherder named Felix Jesui whose flock was encroaching on Oscar L. Turner’s property. Glass fatally shot Jesui and claimed self-defense. Glass’s bail was set at $10,000 (the equivalent of $157,000 today) which his boss, Turner, paid immediately and without question.

A black and white photo showing cowboys driving cattle.
Cowboys drive Scorup-Somerville cattle. [Moab Museum Collection]

After a well-attended court hearing, Glass was acquitted and continued to work on the Turner Ranch for another 16 years. In 1937, Glass was playing poker with the cousins of the man he’d shot years before. After what local lore calls an amiable game, the group parted ways. But later that evening, Glass was found dead in the back of the men’s pick-up truck—reportedly, Glass’s neck was broken. The cousins claimed no foul play, but the truth of the night remains a mystery to this day.

Glass was buried in the Turner family plot, at a time when African-Americans were barred from being buried in the Fruita, Colorado, cemetery. Stop by the Moab Museum to view Pete Plastow’s portrait of Charlie Glass, mid altercation with Felix Jesui, who proved to be the ultimate end of the this local Black cowboy. .

The Moab Museum website has a larger profile on Charlie Glass and a recording of “The Ballad of Charlie Glass,” performed by Sand Sheff in 2019 at KZMU Studios. The song was written and composed by William Leslie Clarke, courtesy of Three Rivers University Press.

The Moab Museum is dedicated to sharing stories of the natural and human history of the Moab area. To explore more of Moab’s stories and artifacts and find out about upcoming programs, visit MoabMuseum.org

The inside of the Moab Museum: a photo of the historic saddle on display in the permanent collection Courtesy of the Moab Museum

Press release by the Moab Museum

The Moab Museum will be temporarily closing its doors from December 23, 2024, through February 10, 2025, as we prepare for the exciting installation of our newest exhibition, U92: Moab’s Uranium Legacy. During this time, Museum staff and volunteers will be hard at work creating an immersive and educational experience that delves into the history and legacy of uranium mining in the Moab area.

While the Museum will be closed to visitors, we will host periodic volunteer days for those interested in supporting this important installation process. Community members are encouraged to get involved and be part of bringing U92: Moab’s Uranium Legacy to life.

Mark your calendars for February 15, 2025, when the Museum will reopen with an all-day celebration of the new exhibition. Join us to explore the stories of miners, mill operators, entrepreneurs, and others who shaped Moab’s uranium boom and its lasting impact. Stay tuned for more details as we approach this exciting opening!

For updates and volunteer opportunities, visit www.moabmuseum.org or contact us at info@moabmuseum.org.

A graphic depicting a pile of presents painted in a watercolor style



We don’t know about you, but “Holly Jolly Christmas” has been stuck in our heads since November (Dolly Parton’s version) – and yet we’re still scrambling to find gifts for our friends and family. Whether you’re a Moab local, a regular visitor to our little valley, or if we’re still just a line on your travel bucket list, Moab has gifts abound for you and your loved ones.

For the (wannabe) Moabite: Art created by the Community Artist in the Parks


Each year, the Southeast Utah Group of National Parks chooses a “community artist in the parks”: a local artist who creates art in the parks during the months of April through October (the Southeast Utah group encompasses Arches and Canyonlands national parks, and also the Hovenweep and Natural Bridges national monuments). The program has hosted 16 artists since 2009.

Work created by many of the artists – the two most recent being Annie Dalton and Jess Hough – is sold locally in Moab Made, the Moab Information Center, and at the Arches National Park visitors center.

For the history buff: Museum memberships


An arrow points to the Moab Museum logo The Moab Museum, first incorporated in 1958 as the “Southeastern Utah Society of Arts and Science,” boasts an impressive collection. Its permanent exhibition expertly leads visitors of the museum through the long history of the area, from stories of the first peoples in the area through to Moab’s modern history as an outdoor recreation hub. A temporary exhibit will be installed in February that will dive into the area’s uranium mining boom and bust. Members of the museum don’t pay the entrance fee to visit the museum or attend its numerous and expansive in-person programs. Individual memberships are $40 and can be gifted by emailing Diego Velasquez, the museum’s membership and marketing coordinator, at diego@moabmuseum.org.

Moab Giants offers a glimpse into the much further past. Visitors will explore the dinosaur history of the area through exhibits including an outdoor dinosaur trail (with over 100 life-size replicas of dinosaurs), 5D prehistoric aquarium, and 3D theater. Memberships can be purchased at individual or family levels on the Moab Giants website.

For the adventure-seeker: Guided experiences or white water rafting trips to check off their bucket list


An arrow points to an image of a group of people white water rafting in Moab There’s no lack of outdoor experiences in Moab, and all are better to do with a guide: guides can show you the ropes (literally, if you’re going on a rock climbing or canyoneering trip), and also provide a wealth of knowledge of the area. Many guides are certified by Science Moab and the Moab Museum so they can provide fascinating and accurate information to visitors. A few popular experiences include rafting Cataract Canyon (the otherwise inaccessible canyon that the Colorado River flows through on its way to Lake Powell), taking intro mountain biking and climbing courses in the many beginner-friendly areas around town, horseback riding along the Colorado River, and off-roading the nationally recognized Hell’s Revenge trail in the Sandflats Recreation Area.

Explore a list of guides and outfitters here.

For the foodie: Restaurant gift cards


An arrow points to rows of doughnuts There’s something for everyone when it comes to Moab’s restaurant scene. Offerings include numerous Thai restaurants (ask any local their favorite and you’ll get a different answer), burger joints (from diners like Milts to family sit-down spots like The Spoke), breakfast and lunch cafes (Mas Cafe offers pastries and stellar coffee), fusion spots (have you tried the banh mi at 98 Center?), even sushi (Sabaku Sushi will have you praising raw fish in the middle of the desert). You can find a list of Moab restaurants here.

For the reader: Books from Moab’s independent bookstore


An arrow points to a vintage copy of The Monkey Wrench Gang The desert provides endless inspiration for writers and artists in our area. Luckily for us, Moab’s local independent bookstore, Back of Beyond Books, curated a list of desert southwest literature. We recommend classics like Terry Tempest William’s “Red: Passion and Patience in the Desert,” and “Tracing Time: Seasons of Rock Art on the Colorado Plateau” by Craig Childs. You really can’t go wrong with this list!

The bookstore is also known for its rare books collection: if you really want to stun a reader in your life, gift them a signed, first edition copy of Edward Abbey’s “The Monkey Wrench Gang” or a second edition of “On Desert Trails” by Everett Ruess. Books are available to purchase online!

For the fashion-forward: Locally-designed apparel


An arrow points to a microgrid fleece Numerous Moab boutiques carry locally-designed clothing and accessories. Moab Made, a retail shop that feels like a gallery, carries only goods created by local artisans – it’s easy to find a gift for any of your artistic friends from its collection of pottery, art prints, and accessories.

Desert Wild, a clothing store, last year created a locally-designed, micro-grid fleece clothing line. Designs include a hooded long-sleeve dress, skirt, and zip-up hoodie, each featuring large pockets – perfect for any outdoor adventurer. The shop also carries trendy apparel and accessories.

For the traveler: A Moab trip itinerary!


What’s better than a fully-planned trip? Whisk your loved ones away on a vacation full of wonder to Moab, Utah – you can use pieces of this gift guide to craft a perfect week. Experience the outdoors, local art, and history from the world’s most beautiful basecamp. Visit Discover Moab for ideas on where to stay and what to do during your visit!

A landscape image of Moab, Utah, covered in snow.


Winter is a lovely time to be in Moab, Utah: town is quieter, snow blankets the red rocks, and the cold air is offset by warm sunshine. But it’s the off-season, meaning many of our local restaurants and places of business will change their hours or close for an extended break. Read on for a list of seasonal closures! And make sure you double-check with open businesses about their winter hours.

Restaurants

98 Center – Closed December 30 to February 13
Cactus Jacks – Closed January 6 to 20
Lops Pop Shop – Closed December 21 to January 6
Moab Garage Company – Closed December 8 until spring (TBD)
Rooted Vine – Closed January 3 to February 13
Sabaku Sushi – Closed December 28 until spring (TBD)
Sweet Cravings – Closed December 30 to January 14
Trailhead Public House and Eatery – Closed December 24 to January 19

Businesses

Desert Wild and Indigo Alley – Closed January 5 to February 6
Moab Museum – Closed December 23 to February 10
Skydive Moab – Closed November 15 to March 1
Ye Ol’ Geezer Meat Shop – Closed January 13 to 27

Want to add your business to the list or update this info? Email Alison Harford at aharford@grandcountyutah.net!

A rock face covered in overlapping petroglyphs in many different styles. Newspaper Rock [Moab Museum Collection, Elaine Peterson Collection]

By the Moab Museum, originally published in the Moab Sun News



This is canyon country, a landscape defined by the forces of nature that have carved their way through the red sandstone for millions of years and still continue to perform their work. The human history of this landscape carries a similar throughline: Rock inscriptions carved on canyon walls over thousands of years lend whispers of the history of the people who came before.

Petroglyphs and pictographs across the region preserve thousands of years of human history, spanning many cultures over time. There is much to be learned from these marks pecked or painted onto canyon walls, and they remain important sites for Native communities today.

What is the difference between petroglyphs and pictographs?

Petroglyphs—which are generally more abundant in this area—are images created by carving, engraving, or scratching upon the surface of the rock. Pictographs are painted, consisting of pigment applied to the surface of the stone. While certain panels may have originally been a combination of petroglyphs and pictographs, the windswept sandstone now primarily reveals petroglyphs.

A black and white photo showing a man standing next to a rock boulder; he is leaning against it with one arm up on the rock. On the rock face is a petroglyph that looks like it could be a wooly mammoth.
Located downriver from Moab, this rock carving is thought by some to resemble a mastodon, leading some to believe that it was created by people living in the Moab Valley during the late Ice Age. Others interpret the panel as a bear with a fish in its mouth. [Moab Museum Collection, Elaine Peterson Collection]


What is known about petroglyphs and pictographs?

There are numerous ways to interpret meaning, and inevitably, much of it remains a mystery to visitors today. Native groups with Ancestral ties to the region can offer perspective and interpret meaning from rock writings left many generations ago. Archaeologists also offer a set of ways to interpret these sites.

In the summer of 2021, the Moab Museum presented a temporary exhibition called “Stories on Stone: Interpreting & Protecting Moab’s Rock Imagery” in collaboration with Utah Humanities. The exhibit showcased perspectives about four prominent Moab-area petroglyph panels from Hopi guide and interpreter Bertram Tsavadawa and archeologist Don Montoya.

“There’s always variations of understanding of how sites will be utilized by the Ancestors,” Tsavadawa explained in the exhibit, adding “as a Hopi person, coming from northeastern Arizona to visit and see these sites here, it is reconnecting.”

In a video made with the Museum and the Utah Humanities Council’s Humanities in the Wild initiative, Tsavadawa drew connections between petroglyphs of wavy lines at Moonflower Canyon to the abundant water nearby.

“Water sustains life. Wherever there’s water, you’ll find maybe an Ancestral site, occupation location, or where they were visiting or making their pilgrimages to conduct ceremony, or connect back to nature,” Tsavadawa explained.

Archeologists also offer ways of understanding these traces of the past. A variety of scientific dating methods, including carbon dating, may determine the ages of pictograph pigments. In the absence of pigment, archaeologists can use optically-stimulated luminescence, which tells how long quartz sediments have been exposed to light. Archeologists also recognize distinctive aesthetic styles associated with different periods, such as the Barrier Canyon Style, which allows them to determine the spatiotemporal extent of cultural groups.

Rock imagery sites remind us that history exists beyond the bounds of a museum collection space. Stewardship of sites remains an ongoing topic of community conversation. In April 2021, Birthing Rock, a prominent rock imagery site along Kane Creek Road, was vandalized, inciting community outrage. The vandalism was the second publicized instance in 2021 of petroglyphs in Moab being damaged, the first being a rock climber bolting a route near a 1,000-year-old petroglyph panel near Arches National Park.

A black and white photo of pictographs at Courthouse Wash; the figures depicted are humanoid and appear to be holding shields.
The pictographs at the mouth of Courthouse Wash as it enters the Colorado River represent the Barrier Canyon style, also found at Sego canyon near Thompson Springs. This image was taken before the panel was defaced in 1980. Following the vandalism, the National Park Service cleaned the panel, and restoration work revealed older pictographs beneath the white shields. [Moab Museum Collection, Elaine Peterson Collection]


Why does it matter to protect rock imagery and Ancestral sites?

In the words of the Bears Ears Intertribal Coalition: “To the untrained eye, these archaeological features can sometimes be hard to recognize, but their importance to science, as well as tribal descendants, is immense…More than just a library of human history, this place remains vital to tribal communities across the Colorado Plateau as a place of subsistence, spirituality, healing, and contemplation.”

When visiting these sites, make sure to observe proper visitation etiquette to preserve this history and pay respect to the enduring connections these places provide for Native communities today. These tips, from the Museums of Western Colorado, provide guidance to visitors today:
– Visit rock art sites with respect. Many cultures today see rock art as being just as sacred as it was when it was created.
– Do not touch images. The oils on your hands cause damage that cannot be fixed.
– Take only pictures. Paper rubbing and latex molds cause irreversible damage.
– Respect private property rights.
– Leave archaeological clues found near rock art panels in place. Artifacts such as projectiles can help archaeologists better understand and date the age of panels.
– Report any vandalism to a local land agency such as the Bureau of Land Management, Forest Service, and Park Service.

The Moab Museum is dedicated to sharing stories of the natural and human history of the Moab area. To explore more of Moab’s stories and artifacts, find out about upcoming programs, and become a Member, visit MoabMuseum.org